IN HUNGARY

• Éjjeli õrjárat
  mûvészeti folyóirat

• Media Research Foundation
  Metaforum
  Metaforum III: u n d e r c o n s t r u c t i o n - the first hungarian content festival

• d@SH vIRTUAL gALLERY a contemporary hungarian art collection

• ARTPOOL
  Artpool is a non profit alternative art institution in Hungary, with the objective to register changes in art, to present and document the most interesting art experiments and to promote artistic communication.

• EAST EDGE - CyberArt&Tech on the Eastern Edge

• Internet Galaxis
  Internet Galaxis:From 28th February - to 3rd March 1996 at the Budapest Gallery the Faculty of Electrical Engineering and Informatics, Budapest University of Technology and the Hungarian College of Fine Arts presents an artistic exhibition and professional presentation

• Az MTA SZTAKI World Wide Web Galériája
  

• Fiatal Képzômûvészek Stúdiója Egyesület
  The Studio of Young Artists Association is a professional association which was founded thirty-six years ago by Hungarian artists. It has been functioning in its current form as an association and a foundation since 1990. The Association has approximately 280 members: artists, art historians, and critics.

• Prompts on Stations
  a Baedecker to Telepfhonia - from the Projects of an advocacy.
  A compilation on the workings of telephone systems for those who encounter the devices, to develop (further) an Attitude that springs from the DIY idea (for do-it-yourself) rather than from get-the-best- service-you-can!-for-your-money! Differences of proficiency in electronics and programming were reckoned with, sections contain information on different levels.

• Weber Imre három virtuális installációja
  Olyan tárgyakról van szó, melyek magukban foglalják a tárgy általános és univerzális jelentését, belépve egyúttal a humán építészeti térbe és ugyanakkor kilépve a kozmikus-természeti térbe.

• EIKE
  

• Baráthosi Balogh Benedek: Collection from the Ainu and the Amur area
  Samples from the material of the Museum of Ethnography, Hungary

IN THE WORLD

• Chech Art Online
  
  
• Postmasters Gallery
  
  
• name.space.inc.
  name.space.inc. is now providing services for new top level domains that you can create on demand.

• lift_world
  y o u S H O U L D g e t o u t m o r e . . .
  ~and now you can !
  see elevators and BOMB squads see AIRcraft and butoh and naked men see asprin as you've never seen her before see the world in a mirror see you see me
  come see *lift_world* on saturday, this saturday 30 november 10.30pm australian est
  see the world
• Art Daily is the first art newspaper on the net.
  This publication can be accessed free of charge and you will find that Art Daily offers the most complete information available in the fine arts world. Art Daily obteins its highlights from AFP, ANSA, EFE, NOTIMEX, and REUTERS news agencies. Art Daily also presents first-rate information regarding some 634 museum around the world, providing up-front data on the most outstanding exhibitions to date.

• Hull Time Based Arts
  HTBA is concerned with all aspects of innovative contemporary work in the time based arts. Its area of interest is multi and interdisciplinary work using film, video, sound and music, performance installation and new media. Based in Hull, HTBA works on a local, national and international scale.

  Avidlab is Hull time Based Arts digital Imaging production and training facility. Based around Avid Media Suite pro, digital non linear video editing system, the facility has Beta S.P, Umatic low band, Hi8 and S-VHS input and output capability. Avidlab also incorporates Adobe Photoshop, Macromedia Director, Sound edit 16 and other imaging software plus access to the internet and WWW.

  Avidlab is situated on the top floor of the HTBA building 8 Posterngate Hull. England.

• Media & Ethics
  A SYMPOSIUM AND GATHERING FOR CRITICS AND ARTISTS
  in the fields of photography, multimedia, video, installation and performance
  Helsinki, September 12th-14th, 1996
  The symposium in Helsinki was a gathering of critics and artists from the Baltic Sea countries and the surrounding region. The main topic under discussion was new media as a twofold challenge. The first challenge focused on the potentialities of emerging art spaces, such as www, cd-rom and telematics. The second challenge was to discuss these media as critical forums and dialogical spaces. How do traditional museums, galleries, periodicals and other mainstream media react to these changes? What types of alternatives have been developed?
  Discussion of ethics in the new media culture was a central theme of the symposium. If defined as one's personal politics, ethics of the contemporary critique deals with choices, which for the artist are questions of inclusion and exclusion. As ethical discourse is dangerously close to moralistic discourse, the symposium put in the foreground questions of free speech and free artistic expression.

• 0.HTML

• INTIMA Virtual Base

• etoy
  ELECTRONIC LIFESTYLE FOR THE NEW TRAVELLING GENERATION
  SEX / ACTION / BEAUTY / INTELLIGENCE

• Necro Enema Amalgamated
  new shit. updated 9.9.96

• Hygrid
  

• VVV - Journey as an exile
  

• Geekgirl
  the world's first cyberfeminist hyperzine

• Mediamatic Amsterdam
  

• HotWired
  The Internets fashion and style bible.

• Center for Contemporary Art: Warsaw

• Public Netbase
  OPENED ON MARCH 17, 1995 First public Internet-WWW access in Vienna
  Institute for New Culture Technologies t0 Digital telecommunication towards hypermedia and the global connectivity of the infosphere provokes an interdisciplinary intermediation of art and science on the basis of a society that is determined through new technologies. The data-matrix as a model of a culture that is based on electronic information-technology demands a new understanding of art and space of maneuver for the forthcoming models of art production.
  Public Netbase *media in the message mess-age* is a forum for free media communication and an information society "without regrets"

• Mindvox
  Warning: Site under deconstruction. Enter at own risk. Wear protective headgear.
  A shining beacon calling out to people just like you, only different.
  MindVox is an online community. We invite you to walk in, look around, stay and get comfortable. To really enjoy the full wonder of MindVox, however, you need to become a member. Sign up with our registration form and your account will be validated within a couple of minutes.

• Leonardo Electronic Almanac
  Welcome to Leonardo Electronic Almanac (LEA), Leonardo/ISAST and MIT Press' electronic journal dedicated to providing a forum for those who are interested in the realm where art, science and technology converges. Leonardo Electronic Almanac is an on-line, subscription-based publication, currently operated on the honor system. People visiting this site should be subscribers to LEA, either individually or as a member of a subscribing institution. Subscription information is available below. Please note that copyright notices included in the material found here need to be retained and respected. For information about submitting material for publication in LEA view this document.

• Academy of Media Arts, Cologne
  

• NTT / Intercommunication Center, Japan
  

• NSK Online at Gates of Heck
  NSK, or Neue Slowenische Kunst is an art movement formed in the mid-1980s in Slovenia, in the country then known as Yugoslavia. The music group, known as Laibach (after the forbidden German name of the capital city Ljublana) became notorious for their military-style costumes and performances which made use of totalitarian imagery recalling the aesthetics of both the Soviet Union and Nazi Germany. NSK is also made up the painting group, Irwin, the theater group Red Pilot (now NOORDUNG), as well as the Departments of Philosophy and Architecture. This collective aesthetic movement was dubbed "retro-gardism".
  Since the disintegration of Yuogslavia and the independence of Slovenia, NSK has formed an independent artists' "State in Time", with embassy projects in Moscow, Gent, Venice and Peking. Gates of Heck has been named Honorary Consul to NSK in the United States, and issues NSK passports to all desiring citizens.

• ZKM - The Center for Art and Media
  ZKM Karlsruhe promotes art in connection with electronic media. Its Institute for Visual Media and Institute for Music and Acoustics are equipped with studio facilities in which visiting artists are able to translate their project concepts into visible, audible media art-works. Two museums are being set up at the ZKM. In October 1997, the ZKM | Museum of Contemporary Art will open its doors to the public as a "museum of all genres". The ZKM | Media Museum, which is dedicated to exploring and showing ways people can use the rapidly evolving digital technologies, will be inaugurated in the same month. The " Salon Digital", an electronic café, is in preparation.
  The ZKM | Mediathek is a media library that collects and documents video art as well as contemporary music and literature on media art. The interested public will enjoy access to these "citizens' media" from 1997 onward. ZKM | Center for Art and Media Karlsruhe is a foundation under public law and is financed in equal parts by the State of Baden-Württemberg and the City of Karlsruhe.

• Ars Electronica
  Ars Electronica Center - Museum of the Future
  PRIX Prix Ars Electronica - the international competition for the Computer Arts.
  

• Mattress Factory
  Museum of Art / Research and Development Lab for Artists - Pittsburgh/USA
  As a museum of contemporary art, it commissions new site-specific works, presents them to the widest possible audience, and maintains selected individual installations in a distinctive permanent collection.

• Färgfabriken homepage for folows anything
  

• De Waag
  

• Contact Center Network

• EVENTS Wednesday 22 November 1995, Abingdon, near Oxford, UKThe ERCIM World Wide Web Working Group (ERCIM-W4G) organizes an open international workshop on the design of webs, the design of web pages, and electronic publishing on the web

• RESEARCH AGENDA FOR CULTURAL HERITAGE ON INFORMATION NETWORKS
  In a network environment increasingly driven by commercial interests, what is the future of cultural information? How can members of the cultural sector work together to define its technical needs and mobilize to be heard?